DISTRIBUTORS MAY FORGIVE A BAD PICTURE, BUT THEY WON'T FORGIVE BAD SOUND.
LIVE RECORDING / FOLEY / ADR and MASTERING in LONDON.
We're good at what we do and when delivering sound for foreign distribution, they WILL ask for and EXPECT separate surround sound tracks. The dialogue tracks must be isolated from all other sound tracks, which allows removal of dialogue for foreign dubbing without altering anything else. We'll sort out the headache of 'Spotter Script's, 'Time Lines' 'Formats' and Quality Control, all crucial for major distributors who will insist on the likes of 'Technicolor for QC'.
To record with a boom is simply not enough which is why we have a mobile WILD TRACK system, enabling instant take-away clean dialogue after just minutes without the need to re-book actors for ADR. It's simple, it works and it slashes expenses. Listen to the dialogue on our showreel.
Pro-Tools is what we use, and we don't boast a million sound effects. Every sound is unique, every footstep, every car door, and so we create a lot from scratch, avoiding mashed up layers. Separation is the name of the game, clarity and punch. All sound formats from Stereo 5.1 / 7.1 and upwards, it's your choice.
Contact Us...
Please feel free to get in touch with a project you would like to discuss.
Email: mail@filmsoundexperts.comTEL: +44 (0)7824 611 611